Tuesday, June 8, 2010

The Tarot Story (Major Arcana)

0.The Fool:
With all his worldly possessions in one small pack, the Fool travels he knows not where. So filled with visions and daydreams is he, that he doesn't see the cliff he is likely to fall over. At his heel, a small dog harries him (or tries to warn him of a possible mis-step).


1.Magician:
Traveling on his way, the Fool first encounters a Magician. Skillful, self-confident, a powerful magus with the infinite as a halo floating above his head, the Magician mesmerizes the Fool. When asked, the Fool gives over his bundled pack and stick to the Magician. Raising his wand to heaven, pointing his finger to Earth, the Magician calls on all powers; magically, the cloth of the pack unfolds upon the table, revealing its contents. And to the Fool's eyes it is as if the Magician has created the future with a word. All the possibilities are laid out, all the directions he can take. The cool, airy Sword of intellect and communication, the fiery Wand of spirituality and ambition, the overflowing Chalice of Love and emotions, the solid Pentacle of work, possessions and body. With these tools, the Fool can create anything, make anything of his life. But here's the question, did the Magician create the tools, or were they already in the pack? Only the Magician knows - and on this mystery, our eloquent mage refuses to say a word.


2.High Priestess:
Continuing his journey, the Fool comes upon a beautiful and mysterious veiled lady enthroned between two pillars and illuminated by the moon. She is the opposite of the Magician, quiet where he was loquacious, still where he was in motion, sitting while he stood, shrouded in the night where he was out in the bright of day. She is the High Priestess and she astonishes the Fool by knowing everything about him. "Since you know me so well, perhaps you can help me," says the Fool, laying out his sword, chalice, staff and pentacle. "The Magician showed me these tools, but now I'm in a quandary. There's so many things I could do with them. I can't decide." In answer, the High Priestess hands over to him a pair of ancient scrolls. "These will teach you how to decide." Seating himself at her feet, the Fool reads by the light of her crescent moon. Finally, the Fool knows enough that he can now decide what he wants, where he will go, and what he will do. Though he suspects that the High Priestess has even more secrets she could teach him--like what lies behind the pomegranate curtain--he is focused and ready to be on his way. Thanking the High Priestess, he heads off. But as he leaves he hears her whisper, quiet as the waters which bubble up from beneath her throne, "We'll meet again...when you're ready to travel the most secret path of all."

3.Empress:

Having decided what shape his future will take, the Fool strides forward. But he is impatient to make his future a full-grown reality. This is when he comes upon the Empress. Her hair gold as wheat, wearing a crown of stars, and a white gown dotted with pomegranates. She rests back on her throne surrounded by an abundance of grain and a lush garden. It is possible that she is pregnant.*

Kneeling, the Fool relates to her his story. And she, in turn, smiles a motherly smile and gently gives him this advice: "Like newly planted grain or a child in the womb, a new life, a new love, a new creation is fragile. It requires fertile soil, patience and nurturing, it needs love and attention. Only this will bring it to fruition." Understanding at last that his future will take time to build and create, the Fool thanks the Empress and continues on his way.

* Pregnant. Well, not in the Rider-Waite deck she isn't. But she is in early decks, and it is an apt symbol for this card.

4. The Emperor:The Fool was given options by the Magician, and decided on one with help from the High Priestess. He learned how to develop it, thanks to the Empress. Now he must manage it. How to do this? He approaches a great Emperor seated on a stone throne. The Fool is amazed by the way the Emperor is instantly, eagerly obeyed in every particular, at how well his Empire is run. Respectfully, he asks the Emperor how it is he does this. And the Emperor answers: "Strong will and a solid foundation. It's all very well," he explains to the Fool, "to be dreamy, creative, instinctual, patient; but to control one must be alert, brave and aggressive." Ready now to lead rather than be led, the Fool heads out with new purpose and direction.

5.The Hierophant:

Having created a solid foundation on which to build his future, the Fool is struck with a sudden fear. What if everything he's worked for is taken away? Is stolen, or lost, or destroyed or vanishes? Or what if it is just not good enough? In a panic, he heads into a holy place where he finds the Hierophant, a wise teacher and holy man. Acolytes kneel before the man, ready to hear and pass on his teachings. The Fool tells the Hierophant his fears, and asks how he can be free of them.

"There are only two ways," says the Hierophant sagely, "Either give up that which you fear to lose so it no longer holds any power over you, or consider what you will still have if your fear comes to pass. After all," the Hierophant continues, "if you did lose all you'd built, you would still keep the experience and knowledge that you've gained up to this point, wouldn't you?"

This surprisingly pragmatic advice releases the Fool from his fear, and he is able exit out of the sanctuary and face the world's challenges once again.

6.Lovers:

The Fool comes to a cross-road, filled with energy, confidence and purpose, knowing exactly where he wants to go and what he wants to do. But he comes to a dead stop. A flowering tree marks the path he wants to take, the one he's been planning on taking. But standing before a fruit tree marking the other path is a woman. He's met and had relationships with women before, some far more beautiful and alluring. But she is different. Seeing her, he feels as though he's just been shot in the heart with cupid's arrow, so shocking, so painful is his "recognition" of her. As he speaks with her, the feeling intensifies; like finding a missing part of himself, a part he's been searching for his life long. It is clear that she feels the same about him. They finish each others sentences, think the same thoughts. It is as if an Angel above had introduced their souls to each other. Though it was his plan to follow the path of the flowering tree, and though it will cause some trouble for him to bring this woman with him, to go somewhere else entirely, the Fool knows he dare not leave her behind. Like the fruit tree, she will fulfill him. No matter how divergent from his original intent, she is his future. He chooses her, and together they head down a whole new road.

7.The Chariot:

The Fool is close to completing what he set out to create long ago, back when the Magician revealed those tools to him. But enemies are now standing in his way, devious human enemies, bad circumstances, even confusion in his own mind. There's no more forward momentum; he feels he is fighting just to stay where he is. Walking along the shore, watching the waves come in, he puzzles over how to defeat these enemies and get things moving forward once again.

It is here that he comes across a charioteer, standing in his gold and silver chariot, his black and white steeds at rest. "You seem a victorious warrior," the Fool remarks. "Tell me, what is the best way to defeat an enemy?" The Charioteer nods out at the ocean. "Have you ever been swimming in the water and been trapped in that tide which pulls you out to sea? If you try to swim forward, head-on, you go nowhere. You swim forward, the tide pulls you back and, if you tire yourself out, you drown. The only way to win without sapping all your energy is to swim parallel to shore, and come in slowly, diagonally. So, too, when fighting in a chariot. You win by coming up alongside that which you wish to defeat." The warrior nods to his beasts. "Your steeds keep the wheels turning, but it is your control and direction that brings victory. Dark and light, they must be made to draw in harmony, under your guidance."

The Fool is impressed and inspired. He thinks he now knows how to win his own war. He thanks the warrior, but before he leaves, the warrior stays the Fool, "One thing more," he says, "no victory can be won unless you have unwavering confidence in your cause. And remember this above all, victory is not the end, it is the beginning."

8.The Strength:

The Fool, victorious over his enemies, is feeling arrogant, powerful, even vengeful. There is a hot passion in him that he can barely control. It is in this state that he comes across a maiden struggling with a lion. Running to help, he arrives in time to see her gently but firmly shut the lion's mouth! In fact, the beast, which seemed so wild and fierce a moment ago, is now completely at her command.

Amazed, the Fool asks her, "How did you do that?" One hand on the lion's mane, she answers, "Will power. Any beast, no matter how wild, will back down before a superior will." At that moment, the Maiden meets the Fool's eyes; though saintly and young, her look is knowing and filled with great power. "Likewise," she says to him, "there are many unworthy impulses inside us. It is not wrong to have them. But it is wrong to let them control us. We are human, not beast, and we can command such energy, use them for higher purposes." His rage quieted, the Fool nods, enlightened, and walks away knowing that it wasn't only the lion that was tamed this day by a Maiden's pure and innocent strength.

9.Hermit:

After a long and busy lifetime, building, creating, loving, hating, fighting, compromising, failing, succeeding, the Fool feels a profound need to retreat. In a small, rustic home deep in the woods, he hides, reading, cleaning, organizing, resting or just thinking. But every night at dusk he heads out, traveling across the bare, autumnal landscape. He carries only a staff and a lantern.

It is during these restless walks from dusk till dawn, peering at and examining whatever takes his fancy, that he sees and realizes things he's missed, about himself and the world. It is as if the secret corners in his head were being slowly illuminated; corners he never knew existed. In a way, he has become the Fool again; as in the beginning, he goes wherever inspiration leads him. But as the Fool, his staff rested on his shoulder, carrying unseen his pack. The Fool was like the pack, whatever it was he could be was wrapped up, unknown. The Hermit's staff leans out before him, not behind. And it carries a lantern, not a pack. The Hermit is like the lantern, illuminated from within by all he is.

10.Wheel of Fortune:

From out of hiding comes the Fool, into the sunlight, as if being pulled up from some low, dark point on a wheel. It is time for a change. Staff in hand, he heads back out into the world, expecting nothing. But, strangely, things seem to happen to him as the hours go by, good things. Wandering by a water wheel a woman offers him a drink in a golden chalice, and then urges him to keep the cup, just because she likes him; as he wanders by a windmill, he stops to watch a young man swinging a sword; when he expresses his admiration of the weapon, the young man presses it into his hand, insisting that he take it.

And finally, when he comes upon a rich merchant sitting in a wagon, right over one of the wheels, the man hands him a bag of money. "I like giving away money," explains the Merchant, "and I decided, just randomly, that the tenth person who walked past me today would get this money. You're the tenth." The Fool hardly thought he could still be surprised, but he is. It is as if everything good that he ever did in his life is being paid back to him, three-fold. All luck this day is his.

11. The Justice:

The Fool is looking for a new path, a new aspiration and inspiration for his life. Sitting uncertain at a cross-roads, he notices a blind wise woman listening to two brothers argue over an inheritance. They have come to her for judgement. One brother has the whole inheritance, the other has nothing. "I ask that all of it be given to me," the poor brother demands, "Not only because I have a better right to it, but because I will not be wasteful with it, as he is!" But the rich brother protests, "It is rightfully mine and that's all that should matter, not what I do with it!" The woman listens, then awards half of the rich brother's inheritance to the poor brother. The Fool thinks this only fair, but neither brother is happy. The rich one hates losing half his wealth, and the poor one feels he ought to have gotten all.

"You were fair," he remarks to the woman after they have left. "Yes, I was," she answers plainly. "With only half the inheritance, the rich one will stop being so wasteful. And the poor one will have as much as he needs. Even though they cannot see it, this decision was good for both."

The Fool thinks on this, and new insight on his own life comes to mind. He realizes that he has spent his life achieving worldly ambitions, physical goods, while leaving his spiritual self to starve, primarily because he didn't want to make the sacrifices necessary to feed his spiritual self. Now, he sees that this is necessary, the only path he has not walked, one he must walk to regain his equilibrium. Thanking the woman, he heads out with new purpose. It is time to balance his own inner scales.

12.Hanged Man:

The Fool settles beneath a tree, intent on finding his spiritual self. There he stays for nine days, without eating, barely moving. People pass by him, animals, clouds, the wind, the rain, the stars, sun and moon. On the ninth day, with no conscious thought of why, he climbs a branch and dangles upside down like a child, giving up for a moment, all that he is, wants, knows or cares about. Coins fall from his pockets and as he gazes down on them - seeing them not as money but only as round bits of metal - everything suddenly changes perspective. It is as if he's hanging between the mundane world and the spiritual world, able to see both. It is a dazzling moment, dreamlike yet crystal clear. Connections he never understood before are made, mysteries are revealed.

But timeless as this moment of clarity seems, he realizes that it will not last. Very soon, he must right himself, and when he does, things will be different. He will have to act on what he's learned. For now, however, he just hangs, weightless as if underwater, observing, absorbing, seeing.

13.Death:

Having left the tree from where he hung, the Fool moves carefully through a fallow field, head still clearing from visions. The air is cold and wintry, the trees bare. Before him, he sees, rising with the sun, a skeleton in black armor mounted on a white horse. He recognizes it as Death. As it stops before him, he humbly asks, "Have I died?" He feels, in fact, rather empty and desolate. And the Skeleton answers, "Yes, in a way. You sacrificed your old world, your old self. Both are gone, dead." The Fool reflects on that, "How sad." Death acknowledges this with a nod. "Yes, but it is the only way to be reborn. A new Sun is rising, and it is, for you, a time of great transformation." As Death rides away, the Fool can feel the truth in those words. He, too, feels like a skeleton, all that he was stripped away. This, he understands, is how all great transformations start, by stripping things to the bone, and building fresh upon the bare foundations.

14.Temperance:

Continuing on his spiritual path, the Fool begins to wonder how to reconcile the opposites that he's been facing: material and spiritual (which he hung between as the Hanged man), death and birth (the one leading into the other in the Death card). It is at this point that he comes upon a winged figure standing with one foot in a brook, the other on a rock. The radiant creature pours something from one flask into another. Drawing closer, the Fool sees that what is being poured from one flask is fire, while water flows from the other. The two are being blended together!

"How can you mix fire and water?" the Fool finally whispers. Never pausing the Angel answers, "You must have the right vessels and the right proportions." The Fool watches with wonder. "Can this be done with all opposites?" he asks. "Indeed," the Angel replies, "Any oppositions, fire and water, man and woman, thesis and anti-thesis, can be made to harmonize. It is only a lack of will and a disbelief in the possibility of unity that keeps opposites, opposite." And that is when the Fool begins to understand that he is the one who is keeping his universe in twain, holding life/death, material world and spiritual world separate. In him, the two could merge, as in the vessels that the Angel uses to pour the elements, one to the other. All it takes, the Fool realizes, is the right proportions....and the right vessel.

15.Devil:

The Fool comes to the foot of an enormous black mountain where reigns a creature half goat, half god. At his hooves, naked people linked to the god's throne by chains, engage in every indulgence imaginable: sex, drugs, food, gold, drink. The closer the Fool gets, the more he feels his own earthly desires rising in him. Lust, passion, obsession, greed. "I refuse to give into you!" he roars at the Goat god, resisting with all his might. The creature returns a curious look. "All I am doing is bringing out what is already in you," the beast responds. "Such feelings are nothing to fear, nothing to be ashamed of, or even to avoid." The Fool gestures angrily at the chained men and women, "You say that even though they are enslaved?" The Goat-god mimics the Fool's gesture. "Take another look."

The Fool does so, and realizes that the chained collars the men and wome
n wear are wide enough for them to easily slip off over their heads. "They can be free if they wish to be," the Goat-god says, "Though you are right. I am the god of your strongest desires. But you see here only those who have allowed their base, bestial desires to control them." At this the Goat-god gestures upward, toward the peak of the mountain. "You do not see those who have allowed their impulses and aspirations to take them up to the top of that mountain. Inhibitions can enslave as easily as excesses. They can keep you from following your passion to the highest heights." The Fool realizes the truth in this, and that he has mistaken the Goat-god. Here he understands now that it is not a creature of evil, but of great power, the lowest and the highest, both of beast and god. Like all power it is frightening, and dangerous...but it is also the key to freedom and transcendence if understood and well used.

16.Tower:

As the Fool leaves the throne of the Goat God, he comes upon a Tower, fantastic, magnificent, and familiar. In fact, The Fool, himself, helped build this Tower back when the most important thing to him was making his mark on the world and proving himself better than other men. Inside the Tower, at the top, arrogant men still live, convinced of their rightness. Seeing the Tower again, the Fool feels as if lightning has just flashed across his mind; he thought he'd left that old self behind when he started on this spiritual journey. But he realizes now that he hasn't. He's been seeing himself, like the Tower, like the men inside, as alone and singular and superior, when in fact, he is no such thing. So captured is he by the shock of this insight, that he opens his mouth and releases a SHOUT! And to his astonishment and terror, as if the shout has taken form, a bolt of actual lightning slashes down from the heavens, striking the Tower and sending its residents leaping out into the waters below.

In a moment, it is over. The Tower is rubble, only rocks remaining. Stunned and shaken to the core, the Fool experiences grief, profound fear and disbelief. But also, a strange clarity of vision, as if his inner eye has finally opened. He tore down his resistance to change and sacrifice (Hanged man), then broke free of his fear and preconceptions of death (Death); he dissolved his belief that opposites cannot be merged (Temperance) and shattered the chains of ambition and desire (The Devil). But here and now, he has done what was hardest: destroyed the lies he held about himself. What's left is the bare, absolute truth. On this he can rebuild his soul.

17.Star:

On the bleak landscape where the Tower stood, the Fool sits, empty, despairing. He hoped to find himself on this spiritual journey, but now he feels he's lost everything, even himself. Sitting on the cold stones, he gazes up at the night sky wondering what's left. And that is when he notices, nearby, a beautiful girl with two water urns. As he watches, she kneels by a pool of water illuminated with reflected starlight. She empties the urns, one into the pool, one onto the thirsty ground.

"What are you doing," he asks her. She looks up at him, her eyes twinkling like stars. "I am refilling this pool, so that those who are thirsty may drink, and I am also watering the earth so that, come spring, the seeds will grow," she tells him. And then she adds, "Come. Drink." The Fool comes to kneel with her by the pool and drink. The water tastes wonderful, like liquid starlight. "I can see you are sad," the girl continues, "and I know why. But you must remember that you have not lost all. Knowledge, possibilities, and hope, you still have all of these. Like stars, they can lead you to a new future." Even as she says this, she began to fade away, like dew, vanishing. All that remains is a gleam that was at the center of her forehead. This rises up and up, until it settles in the night sky as a shining star. "Follow your star," the woman's voice seems to sing from that light, "and have hope." The Fool takes in a breath and rises. It is a dark night, a desolate land. But for the first time, he has a guiding light to show him the way. Distant as it is, it heals his heart, and restores his faith.

18.Moon:

Following the star the Fool travels through the night. The full Moon rises, illuminating for him a watery path. And he begins to feel disoriented, as if walking in his sleep. He passes under the moon, between two pillars ancient and strange. Suddenly, he looks around to find himself in another land entirely. When he was in the presence of the High Priestess, he saw hints of this dark land through the sheer veil draped behind her throne. And later, when he hung from the tree, he felt himself between the physical world and this one. Now, he has at last passed behind the veil. Here are the mysteries he sought, at least, here are the dark mysteries, ones that have to do with the most primal and ancient powers; powers of nature, not of civilization. It is a land poets, artists, musicians and madmen know well, a terrifying, alluring place, with very different rules. Wolves, howling in homage to the moon, run wild across this land, hunting along side maidens with bow and arrows; and creatures from childhood nightmares and fantasies peer from shadows, eyes glowing.

The path the Fool was walking is now a river, and he stands hip-deep in the powerful pull of its salty, moonlit waters. There is, on the nearby shore, a small boat, but it has no rudder, no oar. The Fool realizes he has only two choices. He can lose himself in this desolate, primal land of madness and illusion, howl with the wolves, be hunted down, or he can get into the boat, and trust himself to the river. The moon will be in control either way, but in the boat, his surrender to the powers of the unconscious and the natural world will at least take him somewhere. As the artists and poets and magicians know, inspiration, visions, genius, Moon magic, are the rewards of such surrender. The Fool gets into the boat, and shoves off. As the waters sweep him away, moon beams light his "path" and he feels the Mistress of this dark land gazing down at him with the High Priestess's approving eyes.

19.Sun:

The Fool wakes at dawn from his long, restless night to find that the wild river has, at last, come to an end, quietly floating him into a serene pool. There is a walled garden around this pond dominated by roses, lilies and splendid, nodding sunflowers. Stepping ashore, he watches the Sun rise overhead, bright and golden. The day is clear. A child's laughter attracts his attention and he sees a little boy ride a small white pony into the garden.

"Come!" says the little boy, leaping off the horse and running up to him. "Come see!" And the child proceeds to take the Fool's hand and enthusiastically point out all manner of things, the busy insects in the grass, the seeds and petals on the sunflowers, the way the light sparkles on the pond. He asks questions of the Fool, simple but profound ones, like "Why is the sky blue?" He sings songs, and plays games with the Fool.

At one point the Fool stops, blinking up at the Sun so large and golden overhead, and he finds himself smiling, wider and brighter than he has in a very long time. Since he started on this spiritual journey, he has been tested and tried, confused and scared, dismayed and amazed. But this is the first time that he has been simply and purely happy. His mind feels illuminated, his soul light and bright as a sunbeam. Like the great Sun itself, this child with his simple questions, games and songs, has helped the Fool see the world and himself anew, to wonder at and appreciate both. "Who are you?" the Fool asks the child at last. The child smiles at this and seems to shine. And then he grows brighter and brighter until he turns into pure sunlight. "I'm You," the boy's voice says throughout the garden, "The new you." And as the words fill the Fool with warmth and energy, he comes to realize that this garden, the sun above, the child, all exist within him. He has just met his own inner light.

20.Judgement:

As the Fool leaves the garden of the Sun, he feels that he is near the end of his journey, ready to take a final step. But something is keeping him from doing this, holding him back. He gazes up, hoping to find guidance from the Sun; instead he sees above him a fiery angel, beautiful and terrible.

"You are right," the Angelic figure confirms, "you have only one last step on your journey, one final step to completion. But you cannot take that step until you lay your past to rest." The Fool is perturbed. "Lay it to rest? I thought I'd left it behind, all of it," he says. "There is no way to do that," The Angel observes. "Each step wears down the shoe just a bit, and so shapes the next step you take, and the next and the next. Your past is always under your feet. You cannot hide from it, run from it, or rid yourself of it. But you can call it up, and come to terms with it. Are you willing to do that?"

The Angel hands the Fool a small trumpet. The Fool is hesitant, but he knows that this is a final decision. Either to go forward, or stay where he is. He blows, and the trumpet's song echoes across the sky, its vibrations seeming to crack open the Earth. From under the Fool's feet, memories rise. Images of his innocent youth, challenges, loves, failures, losses, success, disillusionment and wisdom.

For the first time, he does not try to leave them, ignore or forget them, but accepts them. They are, he sees, nothing to fear. They happened, but they are gone now. He, alone, carries them into the present. With that understanding, the memories vanish. Though they remain in his mind, they no longer have any power over him. He is free of them, reborn, and wholly in the present.

21.World:

The Fool turns to take that final step along his final path, and finds, to his bemusement that he is right back where he started, at the edge of that very same cliff he almost stepped over when he was young and too foolish to look where he was going. But now he sees his position very differently. He thought he could separate body and mind, learn all about one, then leave it to learn about the other. But in the end, it is all about self, mind and body, past and future, the individual, and the world. All one. As above, so below, and all opposites are each other, including the Fool and the Mystic who are both doorways to the secrets of the universe. With a knowing smile, the Fool takes that final step right off the cliff...and soars. Higher and higher, until the whole of the world is his to see. And there he dances, surrounded by a yoni of stars, at one with the universe. Ending, in a sense, where he began, beginning again at the end. The world turns, and the Fool's journey is complete.

Monday, March 2, 2009

The Interview With God







Thursday, February 26, 2009

MATLAB E-books links

I am very sure that there must be lot of guys out there who want to learn matlab.For those who dont knw what matlab is let me explain.MATLAB is an interactive programming environment for scientific computing. MATLAB is heavily used in many technical fields for data analysis, problem solving, and for experimentation and algorithm development. Discipline-specific software written in MATLAB, organized into libraries of functions called toolboxes, is widely used as well. MATLAB has found extensive use as the basis for computational laboratory work in technical education; more than 1000 textbooks use MATLAB as a teaching vehicle. MATLAB is a product of The Mathworks of Natick, Massachusetts, USA.So guys here are some few links if you are looking forward to learn matlab.

1.Its really nice to start understanding the basics from this site.
http://edu.levitas.net/Tutorials/Matlab/index.html

2.Nice hardcore control systems examples explaining simulink.
http://dynsys.uml.edu/downloads.htm#MATLAB%20&%20Simulink

3.Simply superb tutorials with explaination.
http://personal.stevens.edu/~ffisher/me345/

4.Nice site to understand control systems using matlab.
http://www.library.cmu.edu/ctms/ctms/basic/basic.htm

5.Wanna learn fuzzy logic using matlab??Check this out.
http://rs376.rapidshare.com/files/105574345/Introduction_to_Fuzzy_Logic_using_MatLab_-_Sivanandam_Sumathi_and_Deepa.pdf

6.Another site for fuzzy logic using matlab.
http://www.oersted.dtu.dk/English/education/courses/au/31361.aspx

7.Modern Control Systems Analysis & Design using Matlab by Robert H.Bishop
http://rapidshare.com/files/125715277/SDKLJ.part1.rar

8.Nice book for freshers to start with MATLAB.
http://rapidshare.com/files/71825527/McGraw.Hill.MATLAB.Demystified.Apr.2007.eBook-BBL.rar


9.Guide to electric power generation using MATLAB.
http://rapidshare.com/files/108868565/MATLAB.PDF

10.Neural networks using Matlab.
http://rapidshare.com/files/2066800/Handbook.Face.Recognition-038740595X.rar

11.Matlab Numerical Methods.
http://rapidshare.com/files/125726378/FDC97.rar

12.Advance Engineering and Matlab
http://rapidshare.com/files/133104973/Advanced_20Engineering_20Mathematics_208Ed_20-_20Erwin_20Kreys...

13.Robotics toolbox for Matlab.
http://rapidshare.com/files/45184652/robotics_toolbox_for_matlab.rar

14. Introduction to Matlab 6 - Duane Hanselman and Bruce Littlefield.
http://ecaaser5.ecaa.ntu.edu.tw/weifang/eBook/matlab-tutor.pdf

15.
The Student Edition of Simulink Dynamic System Simulation for Matlab User's Guide
James Dabney (Editor)
http://rapidshare.com/files/20893829/SimulinkDynamicSystemSimulationforMatlabUser_sGuide_muya.rar

16.Cool Online Tutorial on Simulink
http://www.me.cmu.edu/ctms/modeling/tutorial/simulinkmodeling/mainframes.htm

17.If in case anyone is looking out for MATLAB software,its available on rapidshare.Following are the links.

http://rapidshare.com/files/41910405/ML7A.part01.rar
http://rapidshare.com/files/41910580/ML7A.part02.rar
http://rapidshare.com/files/41914972/ML7A.part08.rarhttp://rapidshare.com/files/41915877/ML7A.part14.rar

In case you need any more help,feel free to put a comment.

Monday, February 23, 2009

Slumdog Millionaire sweeps the Oscars with 8 awards

Rags-to-riches romance 'Slumdog Millionaire' stole the show at Oscar Award ceremony by winning several awards including best Movie,best Director award for Danny Boyle, best Original Song and Original Score for A R Rahman, best Sound Mixing for Resul Pokutty and Ian Tapp and Richard Pryke, best Adapted Screenplay for Simon Beaufoy.

A R Rahman scripted history by becoming the first Indian to win two Oscars for the Best Original Score "Slumdog Millionaire" and its foot-tapping song "Jai Ho".

"Before coming here I was excited and terrified. The last time I felt that way was when I was getting married," he told in his acceptance speech after bagging the Original Score Academy.

"There is a Hindi dialogue 'mere pass ma hai' which means even if I have got nothing I have my mother here. I want to thank her for coming all the way to support me," the 43-year-old musician said.

Rahman was again on the dais to accept the Oscar for the best Original Song for the number "Jai ho", sung by Sukhwinder Singh and Mahalaxmi Iyer.

Before that he performed a medley of 'Jai ho' and 'O saya' assisted by dancers and singer John Legend.

"The essence of the film is about optimism and home. The power of hope in our lives. All my life I had the choice between hate and love. I choose love and here I am," said the musician while accepting the award for best song, penned by Gulzar.

India's Resul Pookutty won the third Oscar for 'Slumdog Millionaire' in the best Sound Mixing Category.

Smile Pinki, a documentary on a young Indian girl also won an Oscar in the best Short Documentary category.

British scriptwriter Simon Beaufoy fetched the first Oscar in the Best Adapted Screenplay category while Anthony Dod Mantle won the Oscar for best Cinematography in 'Slumdog Millionaire', based on Indian diplomat Vikas Swarup's novel ‘Q and A', as the world's top film honours got under way in Los Angeles.

"It is a tremendous honour. I thank Vikas Swarup, without him 'Slumdog' would not have happened, thanks Vikas Swarup," said Beaufoy while accepting the golden statuette

."Thank you Dev, thank you Latika and the entire cast and crew of Slumdog," Beaufoy said.

The scriptwriter has already bagged the Golden Globe and BAFTA for "Slumdog Millionaire".

"I learnt a lot about life," said Beaufoy about his India experience.

This is a first Oscar for Beaufoy, who was earlier nominated in 1997 in the Original Screenplay Category for the film "Full Monty".
The list award winners are as follows:
  • A R Rahman wins Oscar for best Original Song - 'Jai Ho' from 'Slumdog Millionaire' along with Gulzar
  • A R Rahman wins Oscar for best Original Score for 'Slumdog Millionaire
  • Heath Ledger wins Oscar posthumously for best Supporting Actor for 'The Dark Knight
  • Penelope Cruz wins Supporting Actress Oscar for 'Vicky Cristina Barcelona
  • Dustin Lance Black wins Oscar for best Original Screenplay for the film 'Milk'
  • 'Slumdog Millionaire' wins first Oscar; Simon Beaufoy awarded for best Adapted Screenplay
  • Anthony Dod Mantle gets wins Oscar for best Cinematography in 'Slumdog Millionaire'
  • 'Slumdog Millionaire' wins Oscar for best Film Editing
  • Resul Pokutty wins Oscar along with Ian Tapp and Richard Pryke for best Sound Mixing
  • 'WALL-E' wins Oscar for best Animated Feature Film.
  • 'La Maison en Petits Cubes' gets best Animated Short Film Oscar
  • 'The Curious Case of Benjamin Button' gets Oscar for best Art Direction
  • Michael O'Connor bags Oscar for Costume Design in 'The Duchess'
  • 'The Curious Case of Benjamin Button' gets Oscar for Makeup
  • Spielzeugland' (Toyland) named best Live Action Short Film at the Oscars
  • 'Man on Wire' wins Oscar for best Documentary Feature'
  • India-based 'Smile Pinki' wins Oscar for best Documentary (short subject)
  • 'The Dark Knight' wins Oscar for Sound Editing
  • 'The Curious Case of Benjamin Button' wins Oscar for best Visual Effects
  • 'Departures' wins Oscar for best Foreign Language Film

Friday, February 20, 2009

American Pie 6- Beta House




Here's the link to download:


http://download1.moviesmobile.net/downloads/APBH_samm.avi

or

http://files1.moviesmobile.net/downloads/APBH_samm.avi

The Kite Runner-Khaled Hosseini



Khaled Hosseini's quietly powerful debut novel.The Kite Runner fulfills the promise of fiction, awakening curiosity about the world around us, speaking truth as the lessons of history echo down the years. The themes are universal: familial relationships, particularly father and son; the price of disloyalty; the inhumanity of a rigid class system; and the horrific realities of war.


In Afghanistan, young Amir's earliest memories of life in Kabul are blessed with a cultural heritage that values tradition, blood ties and a deeply rooted cultural identity. Upper class Pashtuns, Amir enjoys the luxury of education, material comfort and a constant playmate, the son of his father's longtime Hazara servant, Hassan.


Twice in his lifetime Amir is morally tested in his relationship with Hassan. The first time, a victim of his own arrogance, Amir fails his companion. Hiding behind the superiority of class, Amir chooses the path of least resistance, but the scar of betrayal cuts through his soul and never heals. That first failure dictates Amir's inner dialogue throughout his life, even in America, until he is offered another chance at personal redemption. Returned to his homeland at the request of an old family friend, the second challenge is equally perilous, and Amir recognizes the very real implications of his decision. This internal struggle is the underlying theme of the novel, which spans Afghani history from the peaceful 70's to the repressive rule of the Taliban in the late '90s.


Played out on the world stage, a desperate battle to preserve the cultural heritage of Afghanistan spans Amir's life in Kabul and America. While Amir and his father reside safely in America, their homeland is decimated by constant warfare -- streets lined with beggars, fatherless children whose future is marginalized by poverty: "There are a lot of children in Afghanistan, but little childhood." The sweet simplicity of youthful winters spent "kite running" with Hassan seem light years away, illuminated by the boys' unfettered innocence.

Against this stark landscape, the adult Amir is challenged as never before, charged with the protection of a young life already scarred by the random violence visited upon the disenfranchised. With inordinate compassion and stunning simplicity, Hosseini portrays Amir's impossible dilemma. Complications abound, but the answer lies in humanity's capacity for kindness. The grace of acceptance heals the wounds of brutality, for with forgiveness anything is possible, even the wild joy of soaring kites against a winter sky.


Here's the link to download Kite Runner:


http://rapidshare.com/files/115711245/Khaled_Hosseini_-_The_Kite_Runner.pdf

Ayn Rand


Ayn Rand's novels have inspired generations of readers to live their lives with greater integrity, passion and joy. Nearly seventy years after her first novel was published, Rand's fiction continues to stand out as a vivid and seldom-heard salute to the independent, creative spirit — to the rational, thinking mind — and to total competence in the realm of productive work.

Here's the link to download Ayn Rand novels:


http://esnips.com/web/Ayn-Rand

The Dairy of A Young Girl-Anne Frank



The Diary of a Young Girl is a book based on the excerpts from a diary written by Anne Frank while she was in hiding for two years with her family during the Nazi occupation of the Netherlands. The family was apprehended in 1944 and Anne Frank ultimately died of typhus in the Bergen-Belsen concentration camp. After the war, the diary was retrieved by Anne's father, Otto Frank.

First published under the title Het Achterhuis: Dagboekbrieven van 12 Juni 1942 – 1 Augustus 1944 (The Annex: diary notes from 12 June 1942 – 1 August 1944) by Contact Publishing in Amsterdam in 1947, it received widespread critical and popular attention on the appearance of its English language translation Anne Frank: The Diary of a Young Girl by Doubleday & Company (United States) and Vallentine Mitchell (United Kingdom) in 1952. Its popularity inspired the 1955 play The Diary of Anne Frank by the screenwriters Frances Goodrich and Albert Hackett, which they subsequently adapted for the screen for the 1959 movie version. In 2005, a full-length choral work based on the diary called Annelies was produced. The book is now considered one of the key texts of the twentieth century.

Here's the link to download:

http://rapidshare.com/files/114770126/AnneFrank-TheDiaryOfAYoungGirl.rar

Monk Who Sold His Ferrari-Robin Sharma


Wisdom to Create a Life of Passion, Purpose, and Peace This inspiring tale provides a step-by-step approach to living with greater courage, balance, abundance, and joy. A wonderfully crafted fable, The Monk Who Sold His Ferrari tells the extraordinary story of Julian Mantle, a lawyer forced to confront the spiritual crisis of his out-of-balance life. On a life-changing odyssey to an ancient culture, he discovers powerful, wise, and practical lessons that teach us to:
  • Develop joyful thoughts
  • Follow our life's mission and calling
  • Cultivate self-discipline and act courageously
  • Value time as our most important commodity
  • Nourish our relationships, and – live fully, one day at a time
A FABLE ABOUT FULFILLING YOUR DREAMS AND REACHING YOUR DESTINY

Here's the link to download:

http://esnips.com/doc/f699d1cf-84ab-4799-bca1-665147e9442c/The-Monk-Who-Sold-His-Ferrari.pdf

Lord Of the Rings



Lord Of the Rings (Complete Collection)
:

http://rapidshare.com/files/38429693/Lord_of_the_Rings_Collection.rar

Agatha Christie


Stories by Agatha Christie:

http://rapidshare.com/files/83668200/Complete_Short_Stories_by_Agatha_Christie.rar

Complete Agatha Christie Collection
:


http://rapidshare.com/files/103496487/AGATHA_Complete_collection.rar

Eliphas Levi Wheel Spread



Eliphas Levi didn't invent this spread, but it is based on his Tarot Wheel. To do this spread, compose a question. Take the Major Arcana only and shuffle. Draw five cards at random, one at a time, and lay them down.


Card Details
:

Card 1: Present Situation:
Forces and influences immediately affecting the question. Consider people, thoughts and feelings, events and circumstances.

Card 2: Warning Influences:
Obstacles that have been overcome, aid that has come to an end, changes in emotion, energy, outlook, goals, and such.

Card 3
: Hidden or Unconscious Influences:
What we repress or fail to recognize does not disappear, but finds other ways of expression. Here, we find the stuff that usually surfaces in dreams; yearnings, fears, desires, our deepest and darkest secrets. These are fragments floating in a sea of our unconscious, waiting to be reintegrated into our waking lives.

Card 4
: Emerging Influences:
New factors looming on the horizon. Again, consider people, thoughts, feelings, events and circumstances.

Card 5: Synthesis:
What is needed to reconcile and unify the other four factors.